Lomax, the Hound of Music is a PBS Kids TV series that brings together puppets, humans, live music and animation to promote musical education for children ages 3–7. Created by Christopher Cerf, Norman Stiles and Louise Gikow, and produced by Sirius Thinking, Ltd., Eyevox, Inc., and Connecticut Public Television, Lomax first aired in December 2008, and immediately gained a reputation as a show that follows in the tradition of acclaimed educational children's TV series like Sesame Street, and Between the Lions.Lomax, the Hound of Music follows the adventures of Lomax, a good-natured, melody-obsessed puppet pooch, his feline sidekick Delta, and their human companion, Amy, on a tune-filled train ride crisscrossing the musical landscape of America. With the help - and full participation - of real kids on the train, on location, and the viewers at home, Lomax and his friends track down the wonderful songs that form the heart of our nation's diverse musical heritage.

The Huckleberry Hound Show is a 1958 syndicated animated series and the second from Hanna-Barbera following The Ruff & Reddy Show, sponsored by Kellogg's. Three segments were included in the program: one featuring Huckleberry Hound; another starring Yogi Bear and his sidekick Boo Boo; and a third with Pixie and Dixie and Mr. Jinks, two mice who in each short found a new way to outwit the cat Mr. Jinks.

The three-episode Faces of Music limited series will feature in-depth conversations with three major music stars — Chappell Roan, Victoria Monét and Becky G — as they share how they “use beauty to shape their image, amplify their music, and communicate their identity,” per the series description. The show will also explore how these artists created their instantly recognizable beauty looks.

The misadventures of a small mutt named Rusty and his human family and canine friends.

Audrey Long would present items to sell using a personal approach rather than the hard sell approach.

A mean, greedy, glutton of a bulldog uses two unwilling parties - a frightened cat and a mouse to help him grab dinner from various residences. The scheme: Using the cat to pose as the pet for the residents; the mouse is used in one scheme while the cat poses as a sabertoothed-alley cat at a local zoo in another. The cat is instructed to gather juicy steaks and then surrender them to the bulldog, who badgers each time, "What, no gravy?!" Eventually, the bulldog holds the cat hostage for months, anticipating that the cat's "owners" will post rewards in the newspaper. The bulldog returns the cat to his masters, collects the reward and then reclaims his cat by means of a trick-bed. The dog uses his ill-gotten gains to purchase a meat butcher shop, where "acres and acres" of meat hang from the ceiling. It isn't long before the greedy bulldog must pay for his gluttony his grossly bloated carcass lies strapped to an operating table at a veterinarian's hospital, with the doctors planning to pump the mutt's stomach. Just then, the cat and mouse arrive to get their very just revenge.

Audrey Long would present items to sell using a personal approach rather than the hard sell approach.

Traveling con artist Harold Hill targets the naïve residents of a small town in 1910s Iowa by posing as a boys' bandleader to raise money before he can skip town.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.